The Anti-Speech Pandemic

By  Dennis Prager

Unfortunately, the coronavirus pandemic is not the only epidemic spreading through our country. There’s been another one spreading over the last several years with consequences that threaten Americans’ fundamental ideals of free speech and open inquiry as much as the coronavirus threatens Americans’ lives.

This attack on free speech and suppression of ideas has become so commonplace that, along with the brilliant comedian Adam Carolla, I have made a film, No Safe Spaces, documenting this alarming trend.

To continue the analogy, the college campus has become our Wuhan — the epicenter of idea-suppression. Once a marketplace of ideas, American colleges and universities have become infected with the idea that ‘If I don’t like what you say, you do not have the right to say it.’

This attitude has “gone viral,” spreading as rapidly and as widely as the coronavirus — to the arts, entertainment, news media, and tech industries, all of which have become carriers of the disease. Throughout America, people are silenced, punished, or “cancelled” if they say something that is deemed objectionable to the left — not to liberals, it should be stressed. Liberals have a long history of protecting free speech, but they are now so intimidated by the left, they have abandoned their historic commitment to free speech.

I’ve personally experienced this with my Prager University videos, as we continue to fight a legal battle with Google-owned YouTube over its suppression of our video content online. YouTube has placed about a hundred of our videos on its Restricted List, a parent/school/public library-activated option to filter what videos their child can access, as if they feature violence or pornography. Among those who present PragerU videos are four Pulitzer Prize-winners, three former prime ministers, members of European parliaments, professors from MIT, Harvard, and Princeton, and some of the most eminent thinkers of our time.

No Safe Spaces explores the state of free speech in America, featuring prominent figures on the on the left as well as on the right — progressives such as Van Jones, Cornel West, Barack Obama, and Bret Weinstein. After its successful theatrical run, as we prepared for the home entertainment release, a funny thing happened on the way to the living rooms of America: Mainstream Hollywood decided it didn’t want Americans to see the film.

When I agreed to be in the film, the producers assured me there would be no resistance to the film from distributors — because distributors’ only concern is whether the film was a success. And it was. No Safe Spaces was the #1 political documentary of 2019 at the box office, and it earned the highest audience score at Rotten Tomatoes.com of any film released in 2019 — 99%.

Distributors, of course, have the right to decide what content to place on their platforms — that’s free market capitalism. But when a movie is as successful as No Safe Spaces — in addition to being the number one political documentary of the year, it grossed $1.3 million at the box office — under normal circumstances, distributors would jump at the opportunity to offer such a film to the public. But they didn’t. This is an important thing for Americans to understand: Hollywood’s bottom line no longer drives their decisions; ideological purity is more important to them than money.

Take Netflix, for example. The streaming giant passed on No Safe Spaces months after it paid ten million dollars to acquire Knock Down This House, another political documentary which had not done any business at all at the box office. But that documentary features Alexandra Ocasio-Cortez.

So, then, a movie with no track record was given piles of cash because it is acceptable to the left while a movie that reaches the top was passed over because it appeals to conservatives and liberals, but not to the left.

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